Novel Ideas With Roald Dahl (plus a CONTEST ALERT)

You never know when a lovely idea is going to flit suddenly into your mind, but by golly, when it does come along, you grab it with both hands and hang on to it tight.

The trick is to write it down at once.

~From Roald Dahl’s personal essay, Lucky Break

To Roald Dahl, the most important and difficult thing about writing fiction was to find the plot. With that in mind, he kept an old school exercise book labeled Short Stories. Just about every page (both sides) was covered with ideas for a children’s book—some good, some not so good.

He says that every story he’s ever written has started out as a very short note to himself.

For example:

What about a chocolate factory that makes marvelous and fantastic things—with a crazy man running it?

A man acquires the ability to see through playing cards. He makes millions at casinos.

A story about Mr. Fox who has a whole network of underground tunnels. They lead to all the shops in the village. At night he goes up through the floorboards and helps himself.

Moral of the post? Get a notebook, keep it with you, scratch down every idea that comes to mind, no matter how silly or loosely-based. You might just end up with a winner!

By the way, for those of you who didn't see the announcement in April, Roald Dahl excerpts will be printed on millions of U.K. cereal boxes (click HERE for the GalleyCat article). Quite amusing, especially considering this line from one of his novels (can you guess which one?):

“Do you know what breakfast cereal is made of? It’s made of all those little curly wooden shavings you find in pencil sharpeners!”

*CONTEST ALERT!! Krista V. is hosting an agent contest at Mother. Write. Repeat. First 20 entries on Monday, June, 27 will be accepted. Genres are YA, Adult Paranormal Romance, Adult Urban Fantasy. Click HERE for details!

Happy Friday & Happy Writing!

A Chat With Roald Dahl, Part 2

Back in January, I started a series featuring my childhood favorite, Roald Dahl (for those of you who have only read his children's stories, I'd encourage you to try some of his adult works too- it's interesting to see his range as an author, from journalistic pursuits to clever and sometimes darker tales for grown-ups. MJ Ware might be interested in a few of the dark ones--check out his blog for a few scary ebooks for MG readers).


In the back of my copy of The Wonderful Story of Henry Sugar and Six More is an interview conducted in 1988 by a family friend. Not too many people were allowed to come into his inner sanctum, especially not people from the media. Dahl himself said, “I have worked all my life in a small hut up in our orchard. It is a quiet private place, and no one has been permitted to pry in there.”

The interview still fascinates me, so I thought from time to time I’d post a question/answer. It’s a nice way to see the thought process behind one of the most beloved children’s writers ever (my first post is HERE).

Question from family friend Todd McCormack: How do you keep the momentum going when you are writing a novel?

Answer from Roald Dahl: One of the vital things for a writer who's writing a book, which is a lengthy project, is how to keep the momentum going. It is the same with a young person writing an essay. They have got to write four or five or six pages. But when you're writing for a long time, you go away and have to come back. I never come back to a blank page. I always finish about halfway through. To be confronted with a blank page is not very nice.

But Hemingway, the great American writer, taught me the finest trick when you are doing a long book, which is, he simply said in his own words, "When you are going good, stop writing." And that means that if everything's going well and you know exactly where the end of the chapter's going to go and you know just what the people are going to do, you don't go on writing and writing until you come to the end of it, because when you do, then you say, well, where am I going to go next? And you get up and you walk away and you don't want to come back because you don't know where you want to go.

But if you stop when you are going good, as Hemingway said...then you know what you are going to say next. You make yourself stop, put your pencil down and everything, and you walk away. And you can't wait to get back because you know what you want to say next and that's lovely and you have to try and do that. Every time, every day all the way throught the year. If you stop when you are stuck, then you are in trouble!

Question from family friend Todd McCormack: What is the secret to keeping your readers entertained?

Answer from Roald Dahl: My lucky thing is I laugh at exactly the same jokes that children laugh at and that's one reason I'm able to do it. I don't sit out here roaring with laughter, but you have wonderful inside jokes all the time and it's got to be exciting, it's got to be fast, it's got to have a good plot, but it's got to be funny. It's got to be funny.

And each book I do is a different level of that. Oh, The Witches is quite different from The BFG or James (and the Giant Peach) or Danny (the Champion of the World). The line between roaring with laughter and crying because it's a disaster is a very, very fine one. You see a chap slip on a banana skin in the street and you roar with laughter when he falls slap on his backside. If in doing so you suddenly see he's broken a leg, you very quickly stop laughing and it's not a joke anymore. I don't know, there's a fine line and you just have to try to find it.

Have a great week! On Friday I'll be posting agent gems/advice from Twitter.

**PS-for those of you who read my Crusader Challenge post, the pineapple/reading Velveteen Rabbit to the dying bunny was the most popular choice for my lie, but it's true! The only lie was that I've never done fencing :)

A Chat With Roald Dahl

I cried when I found out that Roald Dahl had died. I was ten years old (1990), and he was my favorite author. I only knew a little about the actual man, through reading his memoir Boy, but felt as though he were a twinkly-eyed grandfather figure telling me a story every time I opened a book.
~
*Image of Roald Dahl in his "writing hut"*
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He had such authority as a narrator. I immediately trusted the words and fell into the books, from Matilda to The Witches to James and the Giant Peach to my absolute favorite, Danny the Champion of the World. I was awfully sad to find out that no more stories would be written by Mr. Dahl.
~
Since then, I’ve discovered his adult literature, but I most often return to his children’s novels. In the back of my copy of The Wonderful Story of Henry Sugar and Six More is an interview conducted in 1988 by a family friend. Not too many people were allowed to come into his inner sanctum, especially not people from the media. Dahl himself said, “I have worked all my life in a small hut up in our orchard. It is a quiet private place, and no one has been permitted to pry in there.”
~
The interview (available for free in several places) still fascinates me, so I thought from time to time I’d post a question/answer. It’s a nice way to see the thought process behind one of the most beloved children’s writers ever.
~
Question from Todd McCormack: What is it like writing a book?
~
Answer from Roald Dahl: When you’re writing, it’s rather like going on a very long walk, across valleys and mountains and things, and you get the first view of what you see and you write it down. Then you walk a bit further, maybe up onto the top of a hill, and you see something else. Then you write that and you go on like that, day after day, getting different views of the same landscape really. The highest mountain on the walk is obviously the end of the book, because it’s got to be the best view of all, when everything comes together and you can look back and see that everything you’ve done all ties up. But it’s a very, very long, slow process.

A lovely description by a lovely man. Enjoy your week!