Praise for Melanie Crowder's PARCHED:
“A thrilling, imaginative soul quencher. Crowder’s stunning debut is sure to become a modern classic.” —Rita Williams-Garcia, Newbery Honor-winning author of One Crazy Summer
“The direct powerful prose in this first novel dramatizes the exciting contemporary survival story. . . . Fans of Gary Paulsen’s Hatchet (1987) will want this.” —Booklist
I'm so pleased to have author Melanie Crowder on the blog today to talk about character development in a novel with multiple points of view.
Melanie lives in Colorado and writes both middle grade and young adult fiction. I was lucky enough to attend the book launch for her debut novel PARCHED (published by Houghton Mifflin Harcourt) earlier this year, and have been dying to interview Melanie ever since. I will be giving away a copy of PARCHED to one lucky person who leaves a comment on this interview.
Here's a summary of her gorgeous book:
Sarel
is a girl with secrets. She knows which tree roots reach down deep to pools of
precious water. But now she must learn how to keep herself and her dogs
alive. Nandi is the leader of those dogs. She knows they can’t last long
without water—and she knows, too, that a boy is coming; a boy with the water
song inside him.
Musa is that boy. His
talent for finding water got him kidnapped by brutal men, yet he’s escaped,
running away across the thirsty land that nearly claims his life. And
so Sarel, Musa, and the dogs come together in what might be their
last hope of survival.
On with the interview!
How did you come up with your
characters for PARCHED and tap into
their unique voices and perspectives?
Sarel came to me first, in an image, and
Nandi was right beside her from the beginning. I had the clearest picture of
Nandi, so hers was the easiest character to write. Dogs perceive the world with
immediacy, in a highly sensory way, so of course Nandi’s voice would have those
qualities. With Sarel, I felt like I understood her from the very beginning, so
I find it interesting that hers was actually the hardest point of view for me
to write.
To me, Sarel’s chapters were always humming
with emotional resonance, but my writing partners helped me to see that the
reader wasn’t necessarily feeling the same emotional impact I was. It took many revisions to get Sarel’s emotions
on the page in a way that the reader could connect with, but that also
satisfied my own need to be true to the trauma and emotional shock she was
experiencing.
Musa came later. I had felt for a long time
that there was a third piece to this puzzle, and once I found him, thankfully,
his chapters flowed naturally.
PARCHED is told with three distinct
points-of-view. How is character development (and overall writing, for that
matter) challenged by having multiple POVs?
Well, it requires an attentive
reader, for sure, to keep track of whose chapter they are in.
And then, each character needs a
satisfying arc of his or her own, complete with emotional growth, tangible
purpose and resolution of some kind at the end. The key is finding a way in
which every character’s journey hinges on the others. I don’t want to give too
much away, but in this story, every one of these characters absolutely needs
the other two, not only just to survive, but to find a way, in the end, to
really live.
Your novel is deliberate in its use
of sparse and carefully-chosen language. Was this approach ever a concern for
you in terms of making sure your characters were fully developed and
three-dimensional?
Oh, it was such a balancing act! But the setting and
premise demanded spare prose, so the challenge became bringing about poignancy
and emotional connection between the reader and the characters. It was so hard,
but I am really proud of the result!
Sarel,
Musa and Nandi are wonderful characters, each one with their own personal
challenges. How did you balance their individual voices/stories?
Am I sounding like a broken
record yet? Emotion was the driving force for me. Because of the spare prose, I
needed to use every single imaginable opportunity to show emotion and character
in a way that didn’t feel intrusive or inorganic to the style of the novel. So
I used chapters from one character to reveal something about another. So when
you weigh the needs of plot, pacing, perspective and revealing character, the
balance fell neatly into place.
Okay,
let’s talk dogs. While I can name plenty of MG novels featuring dogs, there aren't too many where the dog is given a perspective. Both the opening and closing chapters are
in Nandi’s point-of-view. What led you to give an animal a more intimate role
in PARCHED?
Sarel’s story broke my heart. I
could not write her journey without giving her Nandi as a protector. In my
mind, Nandi is all things wise and fierce and strong. At the same time, two
truths confronted me as I was writing the story: first, that in order for the
reader to connect with Sarel and to understand her situation, I had to begin
the story with the Tandie raid on the homestead, and second, I could not show
that scene through Sarel’s eyes. She, and the reader needed distance from that
traumatic event.
So the natural choice was for
Nandi to show that scene, and once I had given the reader a peek in to her
mind, I couldn’t stop at just one chapter.
What final
advice on character development would you give writers who are drafting novels with
multiple points of view?
Make sure that each POV character has his
or her own emotional journey. One way to do this is to physically pull the
draft apart—to separate it into three stories and to read each character’s
chapters as its own draft. There will be gaps in the narrative, and since you
will have revealed things about the POV character in other chapters, there will
also be gaps in that character’s internal journey. However, it will give you a
sense of character evolution and consistency in voice.
Finally, look for ways in which each
character affects the others so that their interactions and the ultimate
resolution have a sense of inevitability about them. Flora & Ulysses by Kate DiCamillo is a great example of this—I
won’t say any more at the risk of spoiling a wonderful read for you all, but if
you haven’t already, read it with an eye to how each character’s presence in
the story affects change in the others.
A huge thanks to Melanie for coming on the blog! Her next book, AUDACITY, is a historical YA novel-in-verse (coming from Philomel in early 2015). For a chance to win a copy of PARCHED, simply leave a comment for Melanie! I will count any comment between now and Thursday, December 19th. The winner will be notified by email on Friday, December 20th.
UPDATE: The winner, picked by Random.org, is
~MELANIE CROWDER'S LINKS~
